After discussing my comprehensive list of the movies I saw last year with Cookie and Milkshake today, they thought I should rank the 10 worst (or "most terrible" as it were) movies from last year that I saw. So without further ado, here you go, the 10 most terrible movies of 2004 (that I saw, anyway):
#10 - The Perfect Score (15% on the Tomatometer): The big question here was what was Scarlett Johansson doing in a movie where she gets as much screen time as a guy coming off the bench for the Portland Trailblazers? It's basically just a really lame heist-type movie about a bunch of kids who steal the answers to the SAT so they can get into college. It's a dumb idea, with mostly bad acting, and it does a poor job of holding your interest. If you're into seeing movies that try really hard to emulate The Breakfast Club but do a horrible job of it, or you think Matthew Lillard can do no wrong, then this movie is for you. Otherwise you're better off watching almost anything else. It's better than #9 because it doesn't beat you over the head with how bad it is quite as much.
#9 - The Chronicles of Riddick (29% on the Tomatometer): J-Krue described this one as akin to being stabbed in the face for 2 hours, so keep that in mind if you go see it. A truly horrendous follow-up to the surprisingly good Pitch Black, in this one we have Vin Diesel trying as hard as he can to show everyone in the movie and in the audience what a badass he is. The lowpoint is probably when he challenged a girl who's in love with him to a game of "who's the best killer". The movie substituted coherence and substance for volume and effects, which is not all that original, and not very entertaining. It would be much more boring if it wasn't so loud and obnoxious. With a movie this bad they should at least make it easier for you to sleep through it. It's better than #8 because at least it had it's own story and didn't completely lift it's story from another movie.
#8 - The Girl Next Door (57% on the Tomatometer): This one may be more enjoyable to many people than I am giving it credit for. The reason I hated it so much was because it was a really poorly done rip-off of Risky Business. The only difference was that in Risky Business (aside from that movie being great while this one was shit) there were consequences for what happened to Joel, while in this movie the main character ends up becoming a super-rich national hero for bringing porn stars to the prom. Considering how ludicrous it got when they veered from the plot of Risky Business, in retrospect maybe they should have gone all the way and had it end the same as well. It's better than #7 because it didn't try so hard to make itself out to be more than it was.
#7 - The Village (44% on the Tomatometer): Maybe the most irritating thing about this movie is that you can't really talk about it without spoiling it, so if you haven't seen this movie, skip ahead to #6. Here we have a boring movie that has one somewhat interesting thing going for it. The only problem is that halfway through we find out that one twist is that the interesting thing is not true, which kills all your interest. If that's not enough, at the end we're hit with another twist which simultaneously makes you realize how unrealistic it all is, how stupid the movie is, and how insane the message that M. Night Shyamalan is trying to convey (that the solution to the problems the world presents is to isolate yourself from them and live in ignorance). It's better than #6 because there's at least some story to it, even if it's a bad one.
#6 - The Passion of the Christ (51% on the Tomatometer): What got lost in all the hype and controversy of this movie was that if you strip away the religious implications (or whatever), it's a movie that's over two hours long about a guy who walks up a hill. You can sum the whole movie up like this: he's in a garden, he gets arrested, he goes before the Jews, he goes before the Romans, he goes before Herrod, he goes back before the Romans, he goes up a hill and then he dies. The end. Mel Gibson compensates for the lack of story by seemingly showing the entire film in slow motion and spending extra time focusing on how bloody being whipped with metal hooks is to distract you from the fact that nothing is really going on in the movie. Having to watch it a second time I felt like I was carrying that damn cross up the hill. It's better than #5 because at least it made sense as to what was happening.
#5 - Darkness (4% on the Tomatometer): The most convoluted horror movie I've seen since Event Horizon, this movie evoked an audience reaction not unlike the one I heard at the end of The Matrix Revolutions, namely the audience yelling out "huh?" It's one of those movies where they obviously felt that "vague" equals "creepy", and if they shoot most of the movie with as little lighting as possible it will be enough to keep everyone scared. Instead the result is that you're spending most of the movie trying to make any sense of what is going on, and having no luck doing it. It's better than #4 because at least the characters were somewhat consistent.
#4 - Surviving Christmas (8% on the Tomatometer): In this movie you have to suspend disbelief enough to accept that Ben Affleck's character goes from being a hugely successful advertising or marketing executive who has the corporate world eating out of the palm of his hand, to a raving lunatic, and then back again, and you have to accept that nobody else in the movie seems to notice. That's right, the guy is all over the place, insisting that Christina Applegate call herself the maid because his full-scale delusion in which he pretends he's a child again doesn't have a place in the family for her, and then a couple scenes later they're falling in love with each other because suddenly he's normal and she's forgotten he's a psycho most of the time. It's better than #3 because at least some of the people onscreen weren't totally irritating.
#3 - Taxi (9% on the Tomatometer): This is what you get when you combine Queen Latifah playing a tough black girl (gee, where have I seen that before? Oh yeah, in every one of her movies) with Jimmy Fallon, a funny man who's not even remotely funny. Jimmy Fallon is less funny than Chevy Chase, and I mean how funny Chevy Chase is now, not 20 years ago. In addition to having probably worst and most unwatchable onscreen duo in a decade or so, this movie has the most thrown together, absurd plot imaginable. This movie will have you gnashing your teeth throughout it and will make you never want to see Queen Latifah or Jimmy Fallon ever again, even if they were showing up on your doorstep to give you money. It's better than #2 because at least it has something of an edge, dull through it may be.
#2 - Welcome to Mooseport (14% on the Tomatometer): You're pretty much guaranteed to want to walk out of this movie by about the time the opening credits are finished, that is if it hasn't sapped all your energy, in which case you'll pray that you can just sleep through it. It vacillates between being extremely dull and being extremely irritating. It's the low point in Marcia Gay Harden's career, and is only saved from being the low points in both Gene Hackman's and Rip Torn's careers because of Superman IV and Freddy Got Fingered, respectively. Avoid this movie. It's better than #1 because it's more boring than annoying.
#1 - The Prince & Me (29% on the Tomatometer): There's so much wrong with this movie it's hard to know where to start. First of all, it's Coming to America done as a serious romance movie starring white teens. It features the same problems that Surviving Christmas had, with the characters switching from being normal to being totally insane, but it has the plot suffering from the same problems. A Danish prince comes to America because he wants to get laid (as if he'd have problems with that to begin with), and because he saw a Girls Gone Wild in Wisconsin video, he decides that the babes are in Wisconsin. When he gets there, rather than use the fact that he's rich and famous to get girls, he pretends to be poor, gets a job mopping floors and asks a female co-worker to flash him upon just meeting her. She refuses and he switches to being the perfect guy, but still doesn't tell her he's a prince, and she falls in love with him immediately. She then finds out he's rich, famous and powerful, and gets pissed at him (??), so he goes home. After thinking about it for a day or so, she follows him home, where he proposes and she accepts. The queen shows her all the jewelry she'll get in a scene which can only be described as "jewelry porn", then she freaks out thinking about how a farm girl from Wisconsin doesn't really fit as a European queen, so she goes back to college. Her ex-fiancee waits a couple months, then goes to her graduation and she changes her mind and decides she'll be a queen after all. The end. If I could have taken the script and changed it in any way, it would have improved it. Even if it turned out in the end that Julia Stiles was really an alien like Natasha Henstridge in Species and was going to try to conquer the world, or if she'd woken up at the end and said "it was all a dream", those ideas would have improved this movie. I can't imagine anyone enjoying this movie in any way. Plain terrible.