Michael Moore
Man, I haven't seen this much controversy for a film since The Passion of the Christ. In case you hadn't heard, Michael Moore's new film Farenheit 9/11 has done huge business since it was opened a little over two weeks ago, destroying all records for box office for documentaries (surpassing Moore's last film, Bowling for Columbine, the previous record-holder). Much like The Passion, Farenheit 9/11 has done so well at the box office because of the controversy surrounding the film. Ironically, the two films are backed by groups of people that are almost complete opposites politically.
I'm torn on how I feel about Michael Moore. On one hand, he makes a lot of good points in his movies (the ones I've seen, anyway). On the other hand, he's frequently prone to sensationalism instead of honesty. He's very effective at making his points, but unfortunately he often makes his points by lying or telling half-truths. As a result my inclination with his stuff is to watch it (because at the very least it is entertaining), but I feel I have to investigate how much of what he is saying is true. Anyway, I've been doing a lot of research into all the controversy surrounding Farenheit 9/11, and I've come up with a bunch of links for people to check out if you're interested. Like anything controversial, these links are pretty vehement about their complaints, so be warned.
- NY Times piece on how thoroughly Moore has made sure all the facts in the movie are true.
- Michael Moore's threat to sue anyone for libel if they attack the integrity of the film
- Rotten Tomatoes' page with 83% positive reviews
- Supposed deceits in Farenheit 9/11
- Piece claiming the film relies heavily on circumstantial evidence
- Ralph Nader calling Michael Moore a sellout for abandoning the Green Party in favor of the Democrats
- A really scathing review which points out many supposed contradictions and connundrums in the movie
I'd like to close with something from Roger Ebert's review of Farenheit 9/11, because when I read it, it echoed almost exactly how I feel about Moore as a documentarian:
- The pitfall for Moore is not subjectivity, but accuracy. We expect him to hold an opinion and argue it, but we also require his facts to be correct. I was an admirer of his previous doc, the Oscar-winning "Bowling for Columbine," until I discovered that some of his "facts" were wrong, false or fudged.
In some cases, he was guilty of making a good story better, but in other cases (such as his ambush of Charlton Heston) he was unfair, and in still others (such as the wording on the plaque under the bomber at the Air Force Academy) he was just plain wrong, as anyone can see by going to look at the plaque.
Because I agree with Moore's politics, his inaccuracies pained me, and I wrote about them in my Answer Man column. Moore wrote me that he didn't expect such attacks "from you, of all people." But I cannot ignore flaws simply because I agree with the filmmaker. In hurting his cause, he wounds mine.

